2 edition of Emily Johnston De Forest collection of Mexican maiolica found in the catalog.
Emily Johnston De Forest collection of Mexican maiolica
Metropolitan Museum of Art (New York, N.Y.). Emily Johnston De Forest Collection.
in New York
Written in English
|Statement||by Edwin Atlee Barber.|
|Contributions||Barber, Edwin Atlee, 1851-1916.|
|LC Classifications||NK4320.M5 N4 1928|
|The Physical Object|
|Pagination||xxii, 41,  p.|
|Number of Pages||41|
|LC Control Number||43036374|
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Metropolitan Museum of Art (New York, N.Y.). Emily Johnston De Forest Collection. Emily Johnston De Forest collection of Mexican maiolica. New York [the Gilliss press] (OCoLC) Document Type: Book: All Authors / Contributors: Edwin Atlee Barber; Metropolitan Museum of Art (New York, N.Y.).
Emily Johnston De Forest Collection. Metropolitan Museum of Art (New York, N.Y.). Emily Johnston De Forest Collection. Emily Johnston De Forest collection of Mexican maiolica. New York, [i.e. ] (OCoLC) Document Type: Book: All Authors / Contributors: Edwin Atlee Barber; Metropolitan Museum of Art (New York, N.Y.).
Emily Johnston De Forest Collection. Barber, Edwin Atlee, The Emily Johnston De Forest collection of Mexican maiolica; (New York, [i. ]), also by N.Y.). Emily Johnston De Forest Collection Metropolitan Museum of Art (New York (page images at HathiTrust) Barber, Edwin Atlee, Exhibition of tiles. The “global village” is a messy place.
It began messy, and it will always be messy. In Puebla, Mexico City, and on presidio’s across Mexico during the early ’s, Humanist Italian trained Christian Spanish potters working in the Islamic Arabian style of copying Taoist Chinese porcelains incorporated Aztec Mexican flora and fauna imagery onto their pottery.
The Emily Johnston De Forest collection of Mexican maiolica - The Metropolitan Museum of Art | The Hispanic Society of America - New York In-text: (Barber, ). Before the internet, before the global village, before most people even thought of the planet as a whole, there was Mexican majolica.
The Talavera workshops of Puebla, Mexico produced tin glazed pottery which included the world’s first global imagery. Potters from Seville, Spain began wheel thrown, glazed pottery in Puebla around Mexican Maiolica.
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This collection of tin-enameled earthenware from Mexico was the gift of Emily Johnston de Forest, one of the Metropolitan Museum’s early patrons and a founder of The American Wing. Her pioneering interest in this material inspired the acquisition of similar collections by other American museums in the early twentieth century.
The Emily Johnston De Forest collection of Mexican maiolica; (New York: [the Gilliss press], ), also by Edwin Atlee Barber (page images at HathiTrust) Metropolitan Museum of Art (New York, N.Y.): Eminent Americans; a picture book.
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(trans.) the emily johnston de forest collection of mexican maiolica by barber, edwin atlee; a catalogue of english books and fragments from to by foxcroft, albert broadbent. InEmily Johnston de Forest gave her collection of pottery from Mexico to The Met. Calling it "Mexican maiolica," she highlighted its importance as a North American artistic achievement.
De Forest was the daughter of the Museum's first president and, with her husband, Robert, a. Mission Statement: The Metropolitan Museum of Art was founded on Ap"to be located in the City of New York, for the purpose of establishing and maintaining in said city a Museum and library of art, of encouraging and developing the study of the fine arts, and the application of arts to manufacture and practical life, of advancing the general knowledge of kindred subjects, and, to.
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